Here is chapter five of “As Simple Things Go By”
Chapter 5
The Jazz Band Goes
To New York
For a Christmas dance at the Belchertown high school, Tim Foster talked with the school’s administration about the jazz band playing the event. It was over a year since the band had first come together and they were getting, as they say, ‘tight.’ They had a repertoire of about 40 songs that they played over and over until they had perfected them. The band was getting some great acclaim. Daniel and Liam were at a level of playing that many considered tops. It was a Saturday night at the high school when the jazz group assembled a half hour before the dance was to begin.
“I think we are all ready for this gig,” the bandleader said. “We really have these tunes down pat. I think we’ll open with the usual ‘Bye Ya,’ which the wonderful Thelonious Monk composed. I know it’s a favorite of all of you and should make a big splash as the opening number. After that we’ll do Duke Ellington’s ‘Take The A-Train’. From there on we’ll follow the usual playlist.”
The middle school’s art department had fashioned a beautiful banner to attach to the front of the groups set up. Gold letters on a purple background spelled out “The Belchertown Jazz Group.” The trumpets and saxophones were chaired up in the first row. The flutists and clarinets were behind them in row two. While the rest of the band was in row three with the drummer and percussionist up on a foot-high pedestal in the rear.
After the group was set up it was nearing the time for the dance to begin. People started streaming in as the band tuned up. Mr. Foster and the chorus director, Miss Plante had chosen Ann Way as the female vocalist and Jesse Cafiero as the male singer. They would sing on about a third of the songs that the group performed. At seven o’clock it looked like the turnout for the show was going to be very big. The high school auditorium, which was usually set up for ballgames and assemblies, had bleachers on both sides for attendees to sit while not dancing. Couples sat together, but unpaired young men and women traditionally sat on opposite sides of the assembly room. The girls who came to dance were asked by the school officials to wear dresses and the boys to wear ties and jackets. No jeans or sneakers were to be worn to the event.
“Only problem with playing,” Daniel whispered to Liam, “is that we don’t get a chance to dance. I’m not a very good dancer but I would like to try it sometime.”
“Yeah, me too,” answered Liam. “I learned a couple of years ago to do the ‘cha-cha,’ but never danced with anyone at a formal party like this. My Aunt Hal taught me how to dance the ‘choo-choo train and Rodriguez’ parts of that form of dance. Maybe we’ll be able to sit out on a couple of numbers and ask a couple girls to dance. I have my eye on Joan Naples. She’s cute and fun to talk to, but I don’t think she’s here. No … here she comes right now.”
“Yes, she is pretty,” added Daniel. “Maybe she and her girlfriend, Holly Pointer could sit near us. I kind of have a crush on her but I think she doesn’t know I exist. Most girls look at me like I’m a geek or something. Anyway, if we could get a break on a couple of songs we could at least talk with them.”
Liam waved to the two girls as they came closer, dressed in very attractive short, multicolored dresses. At the end of “Bye Ya,” the trumpeters went over to see Joan and Holly. They talked for a moment and asked them for a dance later in the evening. Much to Daniel’s surprise, Holly seemed very cordial to him.
“Guess I was wrong,” smiled the second coronet player to his bandmate. “It looks as though she might like me. That’s great!”
“We can take a break on Miles Davis’ ‘So What.’ We only have tiny parts in that song. I’ll talk with Mr. Foster about it between numbers,” advised Liam. “I love Miles’ work!”
“Me too,” replied Daniel. “He creates very inspiring compositions. I hope the girls don’t dance with someone else on that song. I suppose we could ask other girls if that happens. I would like to get to know Holly better, but as my mother says, ‘there’s many fish in the sea’.”
The two trumpeters returned to their musical chairs and played the next song on the list … “My Favorite Things,” by John Coltrane. The band sounded good. Both players and audience, including the dancers, were having a great time. After 12 songs, Ann Way announced that the group would be taking a 10-minute break. An older man in a sharp looking suit came up to the bandleader and started an interesting conversation with him. The well-dressed middle-aged man told Mr. Foster that his name was Clyde Mavis and that he was a promoter for concert events in the New York City area.
“I’ve heard some very positiverecommendations from my associates about your jazz group,” Mavis said with a big smile. “We are currently looking to have some northeast middle school jazz bands perform at Carnegie Hall in Manhattan this coming spring. I’ve listened to your group play tonight and would like to extend an invitation for the Belchertown Jazz Group to come to New York and play a few of your best songs.”
“Well, I don’t know what to say,” the bandleader responded. “This is quite an invitation. I assume the event would be on a Friday or Saturday night, as these musicians have school in the spring. That is, unless your show would be during Easter vacation.”
“In fact, the program would be on Easter Sunday, the dapper promoter said. “We would pay all the expenses of bringing your band down to the city and putting you up for two nights in a good hotel in Manhattan. The entire band, you included, would be able to have a private meeting with Mayor Lindsay, the mayor of New York. This is all part of a plan to encourage young musicians in the world to follow a musical career after graduating from school.”
“Let me talk with my band members after the dance and see how they feel about this proposal, can you wait until 10 o’clock to hear from us?”
“Definitely,” answered Mr. Mavis. “If you decide to accept this idea, I will write you a check tonight for $2500 which will more than cover the cost of the trip down to the ‘Big Apple.’ I will surely enjoy your next sets of music. You people are very, very talented. Should you go for the invitation I would send you the entire itinerary for the excursion. Oh, before I forget, here is my card.”
“Thank you for your offer,” Tim Foster said with a handshake, “this is a very pleasing proposal to me and I think it will be to my musicians as well.”
X X X X X
Tim Foster and all the band members loaded their equipment and baggage into one Ford van and themselves into two other vans for the ride to Blackwater Station on the eastern border of Vermont for the Amtrak train to New York City. They boarded the diesel train after piling all their instruments and bags into a baggage car near the rear of the six-car transport. It would be a four-hour trip to Grand Central Station. The musicians seated themselves happily anticipating their trip and the adventures that lay ahead.
“Tickets … tickets,” the train conductor loudly spoke as he entered the car that carried the 15 band members.
Everyone produced his or her tickets for the train official who had on elegant attire with a fancy badge. His hat looked like the ones they wore in “Highway Patrol,” an old television series back in the early 1960s. He punched each card twice with a special mark. The Belchertown students relaxed in their plush, new looking seats and stared out the windows as the countryside rushed by. They would see many pastures and different species of trees and shrubbery on the way to their destination.
“Wow, look at those cows,” exclaimed Ann Way. “There must be 100 of them. I knew Vermont had a lot of dairy cows, but not this many, most of our milk in western New Hampshire probably comes from them.”
“Yes, and check out those larch trees in that swamp way over there,” Jesse Cafiero mentioned to his singing bandmate. It seems, as they grow over a period of 50 or 60 years, that most of the needles on the lower limbs die. They are very elegant in appearance. There are not manylarch trees in New Hampshire, but the ones that are there are located in swampy places like these.”
The particular Amtrak line that these passengers were traveling only made two stops on the way to the Big Apple. One was near Keene, New Hampshire and the other in Hartford, Connecticut. When the band was about an hour into their trip south, Mr. Foster stood up in the aisle and announced that he wanted to give the students a brief history on jazz and the people who were their forerunners.
“In 1902, a 12-year-old, Jelly Roll Morton, was probably accepted as being the one who ‘invented’ jazz. The origins of jazz most likely began in the red light district of New Orleans. This particular type of music originated from a mixture of ragtime and French quadrilles. Also a precursor to jazz was found in the hot blues of Buddy Bolden, a famous coronet player.”
“This is all news to me,” one of the sax players named Errol Phillips said. “I bet there’s a lot more history to jazz between our time and 1902.”
“Correct, Errol,” the bandleader said. “In 1917 a group called ‘the original Dixieland band,’ made one of the first recordings of jazz like music. The name of the recording was ‘Delivery Stable Blues.’ It reportedly sold over 1 million copies. Then in 1925 Louis Armstrong, whom we all know as ‘Satchmo,’ promoted solo improvisation as opposed to a full band playing together all the time. A few years later, in 1943, Duke Ellington played Carnegie Hall for one of the first big, live presentations to a large audience. That’s where we’ll be playing in a couple of days. So what we’re playing has a long history. But that’s not all I have to say historically on jazz.”
“So jazz has mainly American origins. Is that right?” Asked Liam.
“That is true,” returned their bandleader. “Of course the main instruments involved in jazz through this almost hundred year interval, were invented hundreds of years ago. Musical instruments probably date back to the beginnings of man’s life on this planet. Continuing on let me say that there have been many jazz greats since its origins in the first part of the twentieth century. For instance Charles Mingus was a great jazz musician, who played the upright bass. In 1979 he died in Mexico at age 56. That same day 56 whales washed up on the Mexican coast where they had apparently beached themselves! In 1984, just over a year ago, trumpeter Wynton Marsalis won a Grammy for his tune ‘Think Of One.’ The same night at the Grammy awards, he took a Grammy for classical trumpet concertos.”
The group from Belchertown had their lunch in a luxurious dining car on the train. Liam ordered a bacon, lettuce and tomato sandwich on toast that came with potato chips. The others ate their own choices. The whole experience of eating on the train was elegant. As they all finished their meals, Mr. Foster stood up again and addressed the musicians with a very special message.
“When we perform on Sunday we will be accompanied by a couple very special guests. Gary Burton and Chick Corea will be performing with us! As some of you may know, Mr. Burton is one of the most accomplished vibraphone players alive today. Chick Corea is of the same caliber on the keyboards. They will both play all five of our chosen tunes on this very special occasion!”
Most of the students looked on with open mouths. This would be an event that remained with them for their entire lives. Everyone walked through the cars back to their seats overly excited about the show on Sunday.
X X X X X
“Grand Central Station!” Bellowed the conductor as they finished traveling through the mile or so of tunnel and neared their destination. The ramp-ways were dimly lit and inspired a feeling of mystery to the young folks, especially those who had never been to New York. Stage workers from Carnegie Hall picked up the instruments at Grand Central. They would be set up in a music room separate from the performance stage. This way the jazz bands could go there and practice as long as they wanted before the concerts. There wereabout 20 large music rooms that would accommodate the 12 middle schools that were set to perform at half hour sessions on Easter Sunday.
Carnegie Hall was first opened in 1891. Since then many memorable events have taken place in the edifice, located on the corner of Seventh Ave. and 56th St. in New York City. A five-day musical festival started the shows in an elaborate interior that Andrew Carnegie, one of the richest people in the world, had built. The red upholstered seats set a striking contrast with the tan colored walls. The lighting around the edges of the four-tiered balconies was nothing short of being exquisite.
“It’s going to be quite a fantastic experience playing on this stage,” Daniel said as he and the rest of the jazz band peered out at the stage and concert hall from offstage. “Kind of scary too. I don’t know about you, Liam, but I have mixed emotions about this performance. I know that Mr. Foster has instructed at other shows to concentrate on the music while the audience will take care of itself. Still I am nervous.”
“Me too,” agreed Liam. “The rest of the musicians feel the same thing. But if you look at it this way… it’s the chance of a lifetime and something I wouldn’t pass up for anything.”
“I guess you’re right,” acknowledged Daniel. “Mr. Foster said we will be going on around noontime on Sunday that gives us about a day and a half to rehearse. Maybe the rehearsals will calm us some.”
The stage crewmembers were making up the set and adjusting spotlights for Sunday’s program. None of the students from Belchertown had ever seen a stage as big as this. After the musicians had watched the preparation for the concerts they went backstage to the practice room where their instruments had been placed.
“Here’s the playlist for our part of the show,” Mr. Foster said, handing out copies of the songs to be played in the order they would be played. The five numbers would probably take about 25 minutes in total to perform … five minutes under their allotted time. “Let’s rehearse for a couple hours, then go out for supper and to the Chatham hotel afterwards to try for a good night’s sleep. You will probably have a little trouble sleeping, especially on Saturday night, which is normal for a situation like this. Tomorrow we will put in another four hours of practice during the morning. After that we will do a bit of sightseeing. How does visiting the Empire State Building and the Statue of Liberty sound to you all? If you can agree about visiting another prominent place, let me know and we can do that.”
“My mother has told me stories about going to Central Park where she, her sister and grandma used to have picnics,” offered Liam. The rest of the group thought it would be great. Liam had told the musicians about the zoo in the park.
“Let’s see a show of hands on Liam’s idea,” said Mr. Foster. “If we have a majority we will do it. Of course that is if we have time. I’d like us to be back to the hotel by supper time.”
Nine hands went up. It was surely a majority, so the bandleader OK’d Liam’s proposition. They all looked at least halfway pleased. After looking at a map of Manhattan they decided to do the Statue first on Saturday, followed by the Empire State building and finally Central Park. The statue and the park would mean some legwork that would be good for all the group members. It would help them to sleep that night. They took cabs to the Chatham Hotel located on Vanderbilt Avenue at 48th St. After they had organized themselves and showered they walked to Broadway and Seventh Avenue which is where the famed Times Square is located. It was entrancing to the small-town students. Lights everywhere. The streets were crowded and many restaurants and nightclubs doing a lot of business. The group agreed on eating at a place called ‘Bobby’s’ Joynt,’ which was mainly a pizza restaurant. The pies looked very appetizing through the front window. The New Hampshirites looked down with intrigue as they watched men with no legs wheeling themselves along the sidewalks using their hands to propel themselves. There were alcoholics swigging their last gulps of Muscatel from brown paper bags and begging for money so they could get a cup of coffee. The area was quite an eye-opener for the country people from New England who had never seen anything like that except on the television.
“This pizza is very good,” remarked Bruce Nelson, the band’s baritone player. “Much better than any place I’ve eaten in New Hampshire. Too bad we couldn’t take a couple pies back to Belchertown,” the skinny, eighth grade horn player said.
“You’d need a chest with dry ice to do that Bruce,” commented his instructor. “I think that Manchester might have pizza parlors that make it very similar to this. But yes, this is really good stuff!”
The Jazz group ate their pizza talking about the events that would unfold over the next couple days. Excitement filled their emotions as they rose from their seats and headed back to the hotel. They all turned in at nine o’clock except for Tim Foster. He wanted to write some words in his trip notebook to preserve some highlights of the adventure down there in Manhattan. He dreamed that night that the band had been graciously applauded for their performance. There was a standing ovation for the group.
X X X X X
As the group climbed the stairway to the head section of the Statue of Liberty, Liam thought of the Memorial Day parade that he had marched in the last year. The statue was a symbol of freedom to people who were persecuted in foreign countries or had no means of supporting themselves and their families. It was a large edifice that invoked a feeling of promise or opportunity. It was the first large structure immigrants saw upon entering the New York area and gave encouragement to hundreds of thousands of these who are down on their luck and almost penniless. It was hope. It was refuge from tyranny and lack of jobs. It was a new beginning. Liam reveled in the love he had for his country and the gift it gave to those who were born there as well as those seeking a new start … a new life in the land of plenty.
When the musicians arrived at the crown of the statue they saw and heard a young man with long, straggly hair and unkempt facial growth. He was playing a guitar and singing. He had an open guitar case into which visitors were casting money to help the poor looking soul. The next song he played after the group stood looking out at the New York Harbor was a very spiritual type in both music and lyrics. He sang the words with much emotion.
“An angel came into my life
And took away all of the strife
Now all I can do is dream of wings
In this spirit scheme of things.”
“I know the spirit is for real
Though I cannot see, I can feel
The power of its love at hand
Telling me of my earthly plan”
Chorus:
“On an angel’s wings,
God lifted me up
From all earthly things
I drank from a cup
The water of life
Tasted so good
Compared to the strife
I guess I knew it would…”
“There’s no doubt in my mind
As the news reel rewinds
And in these pictures I see
You looking back at me”
Repeat Chorus
“Then I awoke and saw through my eyes
The green and blue of trees and skies
My eyes were sandy and as I blinked
I saw after-images with each wink”
Repeat Chorus
The song was mesmerizing and the group stood there in awe as the words and the beautiful music came from this young man’s mouth and cheap guitar. It was an astounding presentation he made. The people present all threw coins and paper money into the man’s case. His demeanor and appearance did not interfere with the audience’s happiness that it felt from that gentle spiritual song. At the end of the song he said he had written the words and music when he was 19 years old. It was called ‘On An Angels Wings.’ The musician gave the crowd thanks for contributing money to him. He spoke very softly and slowly.
“I’m from Edinburgh, Scotland,” he offered. “I just arrived by ship. I am so thankful to be in America. My family had no jobs, no money and no food to eat. That is why I’m here now. I spent my last bit of money for a third class ticket on the ‘Esperanza.’ I don’t really know where I’m going, but I know where I’ve been.”
Mr. Foster walked up to the player and bent down to the man who was playing while he sat on the floor. The bandleader handed him in his card and spoke.
“If you ever make it up to New England, come visit us in New Hampshire,” Mr. Foster humbly said. “We can find you work and good living conditions. In fact, here is $200 that my band and I were given to come and play at Carnegie Hall tomorrow at noon. I will leave word at the door to the music hall to let you in for free. We would be delighted if you came backstage while we would not be performing. And when we go onstage you can watch and hear us play jazz.”
“Bless your soul,” the young man said with tears in his eyes. “I will be there. This is like a miracle come true!”
“What is your name?” Tim Foster asked the new immigrant. “I will put your name on the guest list. If you can come around ten in the morning we will be in our dressing room. We can talk there.”
“Thank you kind sir,” the Scottish guitar player said. “My name is James McPherson. I am 23 years old.”
Tim Foster thought quickly that he wouldn’t wait to see McPherson in New Hampshire. Tim would ask him to accompany them tonight. “Okay, James,” replied the bandleader. “We look forward to seeing you again. Go to the Chatham Hotel on Vanderbilt Avenue and Forty-eighth Street. Ask the desk manager to ring us. We’re in room number ‘three’ ‘three’ ‘three.’ My name is Tim Foster. I will come down and then bring you up to our rooms where you can stay the night. Go and get something to eat with this money.”
“Bless your soul,” James said. “This is truly a gift from God, meeting you and your folks. I thank my Lord and Savior, Jesus Christ, and I thank you from the bottom of my heart.”
X X X X X
Around 8:30 that night Tim Foster’s phone rang in his room at the Chatham. It was the desk clerk saying a shabby looking man was asking him to call the bandleader’s room. Mr. Foster went down with Liam to assist the man from Edinburgh with his suitcase and guitar. Liam carried James’s guitar while Tim hefted his very heavy bag. James McPherson was very tired from two days of no sleep. Mr. Foster and several of his group sat on their beds and listened to James as he told his traveling story. Around 10 o’clock they all went to bed. Mr. Foster let James take his bed while he slept on a couch. Before James climbed into bed he took a shower and tied his long hair in a ponytail.
Easter Sunday morning the band members were awakened by their bandleader. They had four adjoining rooms with four students to each of three of the suites, while Tim Foster, Liam Samuels, Daniel Steele and their new friend, James McPherson stayed in the fourth room. After the band members had showered and dressed in their suits and dresses they were all ready to take cabs to Carnegie Hall. They would stop at the Chatham Hotel restaurant for breakfast. Clyde Mavis met the group at the Hall at 10 o’clock for last-minute preparations before their going on at noon. There were four jazz groups from New York State and Vermont that were to perform before the Belchertown Jazz Group. When the band from central New Hampshire at Carnegie arrived, the first band from Pine Plains, New York was on stage, ready to play their songs. The second in line was from Oneonta, New York, followed by one from Buffalo, New York. The act just before Belchertown’s was from Burlington, Vermont. The five groups backstage that morning talked about music and traded stories about their hometowns and the songs they were going to play. Everyone was in a happy mood and excited about their upcoming performances.
James McPherson stayed close to Mr. Foster most of the morning. He kept the card that Tim had given him the day before in his wallet. No need to be on the guest list as the bandleader vouched for him at the artists’ entrance. James had shaved that morning and looked totally different from his previous day’s appearance.
“James, you can have any vacant seat in the hall if you like,” Mr. Foster offered his new friend, “or you can stay backstage and watch the show from the side.”
“I guess I’ll stay backstage,” the Scot said. “I like being around other musicians. They are all kindred spirits of mine. Thanks so much, Tim. This is all like a dream to me.”
The fourth group of the morning was about halfway through their performance as the Belchertown group was finishing their final tune-up. Spirits were high. As the group from Burlington finished their final number, the curtain dropped and the stage crew moved the drums away to make room for Foster’s band to set up. Within five minutes everything was set for the Belchertown Jazz Group to perform. They were all seated and ready for their first song, “Take Five” by Dave Brubeck. The curtain rose to much applause from the full House at Carnegie Hall. The musicians played without one note in the wrong place. They played with perfect technical skills and great emotion in their first song. The crowd roared as they finished their opening tune.
The next four songs were perfect as well; “So What” by Miles Davis, then “Take The A-Train” by Duke Ellington, followed by “Round Midnight” by Thelonious Monk and their finale of “My Favorite Things” by John Coltrane. But the greatest treat for the band and the audience was the vibraphone playing by famed Gary Burton and piano by Chick Corea as they performed along with the Belchertown Jazz Group. There was a two-minute long-standing ovation from the crowd.
After their parts in the show the group from New Hampshire were the guests of Gary Burton and Chick Corea as well as the promised meeting with Mayor Lindsay. Each member of the band received personalized autographed photos of all three celebrities. Even James McPherson was able to shake hands and talk with the noted artists and mayor. Chick Corea asked James to send him some recordings of his music after having given the Scottish guitar player his personal address and phone number. After their exciting conversations with the notable people and parting goodbyes, the stage crew loaded the equipment into a van to be transported to Grand Central Station while the band went back to the hotel to collect their belongings and head to the station for their journey back home. James rode with them on that afternoon train to Blackwater, Vermont. Around nine that Easter Sunday evening the Amtrak train rolled into their next-to-last leg of the journey. The equipment was loaded into the vans driven by school bus drivers from Belchertown. On the road back home following Route 4, the musicians were quiet after talking so much on the return train ride. Liam and James were the only ones breaking the silence with their low voices.
“We’ve traveled a long way,” Liam said softly. “But you, my friend, have come even farther. We welcome you to New Hampshire. I hope and pray that you will prosper here for as long as you decide to stay. I know my parents will be glad to meet you. Tonight you can stay at our home. We are good, Christian folks like you.”
“I appreciate all that you and the band members have done for me,” returned the weary traveler. “I think I’m going to like America and New Hampshire!”